Guth Awards
2001 IIDA Awards from the
Puget Sound Section of the IESNA

Experience Music Project
Seattle, Washington

Lighting Designer(s)
Mary Claire Frazier IALD LC, Candela Lighting Design

Denise Fong IALD LC, Candela Lighting Design

Project Owner
Experience Music Project

Photography
Exterior image of EMP taken by Randal Smith, Lighting Design Lab

Project Summary (from IIDA Award Submission)

Northwest Passage Entry
EMP exhibits are unique as their environment. Ceilings vary 12-80'. Light sensitive artifacts are limited to 5fc. A very efficient 1.4w/sf was achieved with 35w12vPAR36 fixtures.
Undulating displays terminate in bracket-mounted pipe with accentlights to illuminate displays.

Northwest Passage/Grunge/Metal Stage
Fiber-optic extrusions with focusable heads mount behind mullions of sealed cases. Pipe and truss-mounted fixtures accent stage and wall-mounted artifacts. Limiting light on delicate artifacts while maintaining them as main accents creates a dramatic, Rock-n-Roll effect.

Rock Milestones/Mattox/Blues
Below a soaring ceiling, curved pipes with multi-circuit plugboxes, bracket-mounted to free-standing display structures, hold accentlights and speakers, allowing power distribution solely within a raised floor.

Rock Milestones/Blank Generation
Display walls incorporate "see-through" cases with fiber-optic downlighting. Artifacts vary by curatorial restrictions and importance. Modulated light levels establish hierarchical artifact importance.

Rock Milestones/B-Boys & Fly Girls
Stepped display holds multi-hued costumes. Adjustable uplights create a "back alley" image with dramatic shadows. Fill-light above enhances three-dimensional forms.

Hendrix Gallery - Stages
Programmed, pulsing, colored LEDs behind the perforated stage base, and a "Joshua Light Show" video image enhance the stage-show feel without affecting artifacts.

Hendrix Gallery/Lower Stage
Sealed cases contain end-lit fiber-optic extrusions. Uplights with barndoors prevent light spill on the video screen above.

Hendrix Gallery - View from Corridor
Double-sided case has multi-head fiber-optic strips inside mullions. Heads were tuned with diffusing and neutral-density gels for desired light levels and distribution on artifacts 6" to 2' away.

Guitar Gallery/Center
MR16 ellipsoidals light displays without disturbing video image. Color-filtered MR16s, below seats, streak floor.

Guitar Gallery/Perimeter Cases
Fiber-optics inside cases illuminate artifacts according to a brightness hierarchy. Highly polished guitars required special focusing care to eliminate reflections. Exhibits, not lighting hardware, take center stage.


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Mary Claire Frazier received the EPRI Award for the interior lighting in the Experience Music Project. We are currently not able to show you any of the interior lighting photographs.